Rants of a crazy person with a guitar...
Live Dates

Sunday, May 29, 2016

How to Piss Off the Soundguy

I've noticed a striking increase in crappy behavior towards sound folks lately.  Let's face it, there is plenty you can do to upset them.  But the one thing that needs to be stopped is musicians going out on the floor to judge the mix.  Some people take pride in their work and you jumping out on the floor to listen shows no confidence in the job the sound person is doing.  You might as well be hovering over their shoulder shouting spittle laced pointers, while putting your grubby hands all over their board.  It's that offensive.  You're probably a mediocre musician playing in a local joint, where everyone is super drunk just to get through the night you're about to give them.  The sound guy probably has more experience than you and probably has been working in the room you're playing many more times than you.  Stop it.  Be polite.  Maybe learn their name.  If you need something in the monitor than say what you need.  Also, if you're playing super loud, understand the PA won't always keep up with you in some places.  Don't pull the shitty rock star attitude with the sound guy.  It's your fault. 

I've seen a recent string of these actions.  The last chick who pulled it had her shitty sounding Metal Zone blasting out of a 130 watt amp ear fucking me.  It's going to sound like shit no matter what sweetie.  Then she gets upset when the PA can't keep up with the amp.  Wouldn't want to miss a second of that guttural noise escaping your herpes riddled mouth.  It's been a week and I think the tinnitus in my ears has finally stopped. 

Post-Script:  Also don't give blowjobs on stage unless your job is a sex worker.  (Yes, I actually saw this the week before) 

Saturday, May 21, 2016

Born Shit Stirrers


Well here it is.  10 songs in 6 minutes.  Bukkake Bastards are now Born Shit Stirrers.  I helped record this.  6 mics in a room and go.  Basically a collective of asshole musicians ripping on everyone we've know while living in Japan.  Enjoy!

Thursday, May 19, 2016

Continuing in our tradition as the "most hated band in Fukuoka"


Continuing in our tradition as the "most hated band in Fukuoka." We're going in through the back door. Ironically we're playing at a place that won't let us play there. Jon's last Trade Support. There have been some good times there. But, the trade part has dwindled. People used to bring fresh veggies, records, clothes, tacos.... Well, who likes cigarette soaked veggies anyways? Place smells like death. Ok, gotta stop being angry and negative. Just another club owner acting dumb in a little podunk part of the world.  Carry no.  

Tuesday, May 3, 2016

Gigi

Our next show is Sunday May 22nd at Gigi.  It opens at 12:00pm, we are the first band at about 1:30.  This is Gigi's 10th anniversary.  The people of Gigi have been very nice to us and many other artists.  They have always given us and many others a chance to play for people without worrying about Noruma(pay to play).  Even when no other venue in Fukuoka would give us a chance they did.   They started the Time Market magazine for live listings.  Their doors are always open for musicians, photographers, poets, teachers, artists, and music lovers.  The food is pretty damn good too.  So, come out and raise a glass to the good people there. 
次のライブは5月22日(日)、場所は清川Gigiです。この日はGigiの10周年記念イベントで、12時からイベントスタートです。バンドとしては私 たちが最初で1時半からです。ご存知Gigiの人たちは超いい人たちばっかりで、私たちだけでなく多くのバンドがお世話になってきたと思います。ノルマな しのライブを提供してくれるレアで素敵な場所で、写真や詩なども含む、全ての芸術ファンをサポートしてくれてます。フードも充実してるので、是非!皆さん 足を運んでくださいーーー。一緒に10周年、お祝いしましょー!

Saturday, March 5, 2016

Tired of people dying too young.  25 is too young.  Only got to jam with the guy once .  Liked him.  I liked him a lot.  We were going to start a band together he said.  Wish I could have talked him out of whatever ended up happening.  We lost a talented drummer. 

Monday, February 29, 2016

Tsugaru Shamisen

So this is not even close to a guitar.  A Tsugaru Shamisen.  Bit longer and lower sounding than other shamisens.  Now I just need to learn how to play it better. 

Sunday, February 21, 2016

Make Your Strings Bend Easier!


Have you ever had a guitar which seems like your fighting or wrestling with while playing? The strings are hard to bend and maybe you even play it with a heavier hand than other guitars. Most guitars take some adjustment to get them to your own personal tastes; string height, neck relief, etc. However an often overlooked adjustment or option is available on Gibson like guitars with tune-o-matic bridges and even some Telecasters.

Fig. 1
The Gibson tune-o-matic bridge as shown in fig 1, has a bridge and tail piece. The bridge as most people are aware, adjusts the string height and intonation. The tail piece is the anchor point to hold the strings, however it is also adjustable. This is to adjust the “break angle”, the red part of the string in figure 1, just before the string goes over the bridge saddle. Adjusting the break angle can change the feel of the guitar. The guitar actually has two break angles usually. Most guitars have one at the headstock, where the strings pass over the nut and into the tuning pegs. This effects the feel of the strings when bending them and attacking them. Some bridges don't have a break angle. They are simply fixed to the bridge. On Floyd Rose locking bridge systems, the guitar actually has no break angles, because the guitar strings are locked in place.


 So lets look at the adjustment options of the break angle at the bridge:
Fig. 2
  • With the tail piece adjusted all the way to the guitars body, you increase the break angle and make it steeper, which increases the downward force on the bridge. Like the string in fig 2 B. A steeper break angle will make strings harder to bend and I've notice a bit more treble in the attack of the string.
     
  • Conversely, adjusting the tail piece higher will decrease the break angel, decease the downward force on the bridge, making it less steep, like in fig 2 A. The strings will be easier to bend, and you might find you can attack the strings a bit softer. I have noticed a slight decrease in treble, with a higher break angle.

The break angle does not adjust tension. Tension for a string to hold a pitch doesn't change. The scale length of a guitar will effect tension. However, that is not adjustable. A short scale guitar will require less tension than the pitch on a long scale guitar. This is why some people prefer certain scales and brands of guitars. Think of the break angle as slack in a rope. The less force on the bridge and less break angle, the easier the strings will slide over the saddles and nut while bending a string.

So that's the tune-o-matic bridge, but an even lesser know adjustment is available on most Telecasters. I had a Tele that I was always fighting with. I would break strings like crazy. I finally decided to stop stringing the strings through the body. I though the holes the strings were coming through might have been breaking the strings anyhow. However after stringing the strings on the top of the bridge like in fig 2A, I realized I changed the feel of the guitar and changed the break angel. Now the guitar is easier to bend strings on, and I even pick it a bit lighter. I did notice a slight loss in treble, but nothing drastic. So it seems Fender gives you a break angle option.

Now, I know there are many people who strongly believe that string-through guitars and tail pieces being all the way down on the body increases sustain. I can't really disprove this, however I will say it's probably like splitting hairs. The difference is minute as best. You many hear a difference in tone. I tend to find the more force there is on the bridge the more treble and attack you get. It should be said that too steep of a break angle can sometimes cause problems with bending bridges over years. The string-through bodies as well, might just be marketing, claiming it increases sustain. I didn't find any proof of this on my Tele. Maybe I'll do a test on that soon. I do like the option to switch stringing like on most Telecasters. Also, I no longer have to worry about losing the small metal ferrules after a string breaks.

Hope this helps some people. Just another option in getting your guitar to feel the way you want it to.

Tuesday, January 19, 2016

New Pedal Paint Jobs


 Finally got some paint on the Harmonic Fucker (aka Harmonic Percolator Clone).  I made it a nod to Big Black's "Songs About Fucking".  It sounds as nasty as ever.  I also managed to find a use for some low output germanium Russian transistors (MP37).  I made a hybrid silicon/germanium fuzz face, with a switching option for full germanium or half.  Basically a high gain output, and low gain.  I call it "the Hige Fuzz".  Hige meaning "facial hair" in Japanese.  I think it turned out nicely.  I made a few for some friends as Christmas presents.  I've got an order to make one for sale soon as well.  You can check out how it sounds with my crappy demo video below.I'm hoping to finish up a large much-option auto-wah.  With attack-wah, auto-wah, and cocked-wah options.  We'll see.  On paper it seems like a good idea.