Well, somehow writing songs on a bridge 7 months ago led to this. A two (sometimes 3 or 5) bass band. A kind of tip of the hat to all the great bass players I've been lucky enough to have played with over the years. I made this mostly at home. With some help from Juan Pablo. It's a kind of artys fartsy home recording, so patience please.
Streaming and MP3's here:
Wav, MP3, and Flac here:
http://aaronlum.bandcamp.com/album/revolt-1989-2
What is Revolt 1989? Well, the un-obvious answer is……….Well it was kind
of a band. Sort of, for one night live and for a few days of recording.
A short lived band I imagined while living in Asia. It was also the
year of a very famous protest in Asia. Over the last two years I
watched quite a few of these revolts. Ideas that now spread almost as
easily as the wind. Much like what the wind would carry where I
lived. A phenomenon called yellow sand. No not a derogatory term.
Yet, a real thing; a dust from China, which would appear all over my
stuff overnight, if I had left my windows open. One day, I found this
sand and dust on my bass. I felt sad that I had neglected this
instrument in such a way, even for a day. So, I wiped it off and began
to play it again. Not long after that, one fall afternoon, I met a few
guys in a nearby park. These fellows also played stringed instruments.
One of those hombres was Juan Pablo. He played a bass once in Panama.
He also played a jovial accordion, which brought many smiles. One
night we wrote some songs together on a bridge, at the edge of a red
light district in a far off land. It was a cold night, yet somehow, we
met many crooked and twisted fellow Thud Stick players that night. We
also somehow wrote a few songs on that bridge. The view was amazing,
inspiration was running high, and some strange people came and watched
us play. I then ran home and quickly bought a Theremin. Juan Pablo
then sailed on for new lands and new frontiers soon after. I felt it
was a great collision for the Thud Stick, which I won’t soon forget.